View Poll Results: Elvis vs Jacko
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Thread: Elvis vs Jacko
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07-03-2009 #51
Music has no color. Nobody's stealing anything from anybody. They're all influencing each other. Natural racial rhythm is a myth. Musicians hear things & put their own spin on it. Good musicians don't care who's playing what. They just want to sit in & play it too.
Back in the '50s & early '60s, black artists weren't allowed on the radio. There were lots of covers by white artists. It wasn't theft. It was the only way to get the music out there. Elvis paid Willa Mae Thornton for 'Hound dog', but his final version didn't resemble her's at all. 'Blue Suede Shoes' was a remake of Carl Perkins' hit. 'In the Ghetto' was written by Mac Davis. Well that was only fitting since Mac Davis' mother wrote 'Heartbreak Hotel'. It's all mixed up. Michael Jackson was all about James Bown. The moves. The vocal stops. Bar accent placement. Was he stealing? No. He was making music.
0 out of 1 members liked this post."You can pick your friends & you can pick your nose, but you can't wipe your friends off on your saddle."
~ Kinky Friedman ~
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07-03-2009 #52
Hippifriend, you're talking about performances by the actual artists; when I say 'steal', I'm specifically referring to the business side of the music industry.
If someone is perceived to be given an unfair opportunity to profit from an artform orginated within another culture/community, to the people or persons from that aggrieved group, it feels like theft.
At the time, in the late 50s and early 60s, many Black artists rightly felt Elvis Presley and his record companies were making coin co-opting Black music.
Thankfully that's not so much the case today.
Ultimately, at some point, Black music is still American music.
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07-03-2009 #53
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Hippifried,actually Mae Axton was Hoyt Axton's mother.Hoyt scored one of those lifetime royalty success songs with Jeremiah Was a Bullfrog(or was it titled Joy to the World) for Three Dog Night.Mae is credited for writing Heartbreak Hotel along with Elvis and a guy named Durden.
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07-03-2009 #54Originally Posted by hippifried
Originally Posted by suckseed
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07-03-2009 #55
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Originally Posted by Quiet Reflections
I didn't see those other threads, I only scan the first page of topics when I stop by....and even then usually on the top 5 or 6.
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07-03-2009 #56
Ok ok... Whip me, beat me, make me write bad checks. Mea culpa & all that shit. I guess I should probably look this shit up before I spout off, but I'm just too damn lazy. Being more succinct & shortening my responses would probably have the same effect. Oh well. If everybody sends me a charity check, I promise to use it for therapy.
The point still stands though. White guys writing hit songs for black artists & vice versa. Record companies are out to sell records. They know the demographics. In the '50s, the AOL-Time-Warners hadn't taken over the industry. Yet. Everything was crossovers. There was no FM. The major markets had a few niche radio stations, & everybody else played whatever they could get their hands on. When I was a kid, you could listen to classics, grand ol' opry, rock n' roll, jazz, & showtunes without ever touching the dial.
Elvis was playing "hillbilly" music to start. So was Carl Perkins, Jerry Lee Lewis, & Chuck Berry. They were all fans of Bill Monroe & Bob Wills. Bill Haley recorded Rock Around the Clock in 1953, but a couple of decades ago, I heard an obscure (scratchy & badly preserved too) recording of Bill Haley & the Saddlemen from 1949. It was a song called Rock this Joint, & was Rock Around the Clock without the clock. These guys were fans of Duke Ellington, Benny Goodman, Count Basie, Louis Armstrong, & Xavier Cugat too. Music is eclectic. Everybody's taking from everybody else. As long as credit's given where due, nobody cares.
"You can pick your friends & you can pick your nose, but you can't wipe your friends off on your saddle."
~ Kinky Friedman ~
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07-03-2009 #57
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Re: Elvis and Jacko
Originally Posted by atlantaguy4470
I'll think Elvis was half the talent of Michael Jackson. Michael has been a hit maker from childhood until his late 30's, when his career started to decline. Elvis had a smooth, distinct singing voice no doubt, but he never could sing a song with the raw emotion that Michael could, nor was he was the dancer or live entertainer that Michael was, even though Elvis was a great live showman in his own right. Nor did Elvis write songs that truly talked about the human condition. Go to Japan, China, Africa and the major Arab countries and ask everyone from 18-65 who they prefer and MJ would dominate those polls. Elvis could do lots of genres and so could Michael, so they were equal in that respect. If you include his hits while in the Jackson 5, Jacksons and as a solo artist, Elvis really couldn't fuch around. I can name MJ hits for days, whereas Elvis had about 8-10 solid hit records that I can think off. I even asked my father who is in his late 50's and he knew more MJ hits, than Elvis.
Atlantaguy4470, I doubt Elvis's record sales eclipsed Michael at the time of both of their deaths. To compare Elvis, whose been dead over 30 years and made into an American institution to Michael's present sales totals is idiotic. If MJ doesn't catch Elvis, it's only because rampant illegal music downloads and bootleg mixtapes have watered down record sales tremendously. Yet, in spite of this barrier and MJ being a Black man in a country still dominated by a White majority, I think he'll eclipse Elvis within 10 years. If you put Elvis and Michael Jackson on stage in their prime, Elvis would get schooled straight up. He couldn't deal with the power and intensity of Michael's voice and dancing ability at it's apex. Elvis was a bad boy no doubt, but he couldn't fuck around! Like the Republican party, primarily Whites from the Southern states are pulling this Elvis was a greater recording artist than Michael Jackson shyt.
Elvis couldn't hold Michael Jackson's artistic jockstrap when they were little boys and couldn't do it as a grown azz man. In terms of Elvis being a "real man", I'll give you that. Elvis was eccentric, whereas Michael was eccentric and self-hating, which caused him to be even more self destructive than Elvis, who became a fat druggie who was a shadow of his former self before his death. However, Michael was dealing with intense self-hatred of his Black skin and features and sought to change them due to whitewashing, that tends to happen to people of color living in a country in which all the best looking and hottest lists are always dominated by Whites, with some tokens sprinkled in. If Michael could have stopped with the eccentricities he had during "Thriller", he could have been a sex symbol in his own right, but his personal demons had other ideas. I heard Elvis would have a room full of women in his house, lecture out the Bible for hours, then leave them and go to bed, so he wasn't playing with a full deck either.
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07-03-2009 #58
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Re: Elvis and Jacko
Originally Posted by beatmaker
This troll only comes out when something racial comes up to stir the pot.Take your pathetic jesse jackson/al sharpton wanna ass and crawl back under your rock and fight the non existence power there.
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07-03-2009 #59
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Originally Posted by BellaBellucci
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07-04-2009 #60
“The only thing Negroes can do for me is buy my records and shine my shoes.”
Originally Posted by tjinla2001
I AM A GUY NOT A TRANSSEXUAL!
I AM A GUY NOT A TRANSSEXUAL!